Sign Of The Times

As the football chant goes “it’s all gone quiet over there”.  Still no news on Volume 2, though I have once again gone through it this week and polished it a little more, if you know what I mean and yes it’s definitely feeling that way.  It’s taken 3-4 requests for info on getting more author copies of Vol.1 and the responses have being getting shorter every time, so I do wonder if they’re getting fed up of me.  Though telling my contact I know the book is available on the website, but given the problems I’ve had with that when trying to subscribe to something else, I very much doubt the thing recognises I’m the author of the book I’m trying to buy and offers me the correct price!

Out in the big wide world, one of my favourite lunchtime haunts when I worked in the centre of Sheffield is going through some changes.  Newsagent W H Smith may split up into a version on the high street under a different brand, whilst the original name will stay in the profitable locations like train stations and airports.  But it’s not just the retailer thats seeing habits alter, it’s the products that are available, especially printed media.  We lost Digital Photographer magazine last month, the two magazines dedicated to Nikon and Canon users last year, as well as a number of long standing computer publications previously.  Doubtless this is all down to people not buying physical media, which I’m guilty of as well and opting to read articles online.  Consequently, publishers are cutting back on the titles not covering their costs and you hope, focussing on those which are.

The likes of services such as Readly and even Apple News, where for a subscription you can read multiple digital copies of what are normally monthly glossies does work out a lot cheaper, to the point where if you used to buy just a couple of physical magazines a month,  the subscription cost is easily covered, plus you get access to a whole host of other titles and you save a few trees in the process.  One problem with this method though is the publishers can withdraw their products from what’s on offer at will.  Hence after using Readly for a a year or so,  when one of the aircraft magazines I like departed, along with the rest of that publisher’s material, it wasn’t worth paying for Readly.   The other thing is, after buying a subscription to a real magazine last year for the first time in ages,  of all things the now defunct Digital Photographer, it was nice hearing a thump onto the doormat every month and being able to leaf through actual pages, as well as being able to rip out and keep a few.   So this year it’s Digital Camera World’s turn and I’ll see if I can kill that off too!

The Nikon Zf is growing on me.  I still think its a tad on the heavy side, but its manageable and I’ve narrowed down the lenses I want to a couple of suspects, with the aim of covering as wide a focal range as possible, with minimum  weight to lug around in hand luggage.  I’ve also had play with the pixel shift image function and yes, it works as advertised.  The in camera process is much quicker than anticipated given that on the highest resolution it’s taking 96 images and on import into Nikon NX Studio to process it, each image is automatically recognised as part of a stacked whole.  You click on the relevant button and it dumps out one photo.  The end result?  A single uncompressed image thats 512Mb!  Even the resultant full size JPEG is 19Mb, so what you see below is set to 50% quality just to be able to upload it.  What you also see is what happens when there’s a moving “object” as you shoot your stacked collection.

 

View of clouds and sky above fields
A 16 Shot stack, set at 50% quality JPEG output. No guesses for the cause of the white blur.  The RAW file is 512Mb. 

 

Project Cancelled

I finally got hold of a copy of a book I’d been after the other day,  and after only a brief read through came to the conclusion that what I’d started working on as the next writing project is pretty much a waste of time.  Although there’s no single book covering the subject, there’s enough out there already for those  interested in what’s a rather niche subject.  Such a focussed topic  doesn’t really help sales either, whilst a dearth of source material, short of a few months in the national archives, leaves me limited in where I can cross-reference to and I’m not just going to regurgitate other people’s work.  The other issue is there’s virtually no chance of images of any of the subject matter that haven’t been seen before,  I’m definitely not getting into paying for image rights again after last time!  So after amassing a shelf of reference material, which to me will still be worth reading,  I’ve downed tools;  though  I might finish the few chapters I’d started and put them on here.

It would have been nice to write something else, but certainly when it comes to old aeroplanes, someone else got there first.   As for writing fiction, forget it!  My English vocabulary is simply not broad enough and the last time I had to write any sort of story, aside from my CV…..,  I was still at school!  So unless I discover something else that inspires me,  I’ve got to find something else to occupy my time/mind.

There’s still no update on Vol.2,  let alone any reply to my emails asking to buy more author copies!  But Vol.1 is still on their website at the launch price, so at least I’ve not been discounted, YET!

Meanwhile on the equipment front, in the year or so since I decided to swap the last Micro Four Thirds camera I had, a Lumix GX9, for the Nikon Z fc,  it’s become glaringly obvious that Nikon is primarily dedicated to its full frame camera series.  Yes, we’ve just had the Z50 II released (the Z fc is essentially the original Z50 in a different body), but it’s not a huge spec boost , there’s still no IBIS (In Body Image Stabilisation) that my old Olympus and Lumix had and all the full frame Nikons have, whilst much of what has been added is more benefit to the “creators” and videographers.  But after using the Z fc for most of the year,  a camera with dial controls and the classic SLR style, much like my Olympus OM-D, then having hold of its Zf big brother,  and reading the specs,  the seeds were sewn.  Consequently, all the Z fc and associated kit has gone, a few other bits have also departed and surprise, surprise, a Zf has appeared.

Now either there’s some sort of anti-gravity field in Harrisons Cameras, or I’d had my Weetabix the day I was handling the Zf in there, with the same lens I have for my Z5 fitted I hasten to add, but it’s a LOT heavier than I recall!  It’s not massively bigger body wise than the Z5, though it is a smidge wider.  Add the SmallRig grip that’s basically essential for easy use, but doesn’t add a deal weight wise, so why the extra mass?  It’s a combined effect of the Zf and the Nikon S line 24-70 f4 lens.  The Zf on its own is 710g, without the add-on grip, whilst the Z5’s is only 30g lighter,  but you seem to notice every gram.  It’s just a very odd feel handling wise, even with the added grip attached.  So for now and  until I’ve used the Zf in anger shall we say, I’m honestly less than 100% convinced it’s staying……

However, the first photo out of it certainly pops!  Quick grab from the garden outside my office window.

Yellow crocus
Yellow crocus

New Year, No News

First post of 2025,  welcome to the quarter century!

Sadly no update regarding Vol.2 appearing, other than it was reconfirmed the publishers will ask for it at some point so they can fit it in the schedule.  Hopefully this time I get a photo on the front but to be honest, I just want the blessed thing done with and I’ll settle for mine on the back cover again if needs be.

With stony silence on finishing Vol.2,  there’s been more prodding and poking by myself around how to approach what’s next.  Reference material is still being amassed shall we say and the more digging I do, the longer I can see the project taking,. At the same time, the need to visit the National Archives at Kew for at least a couple of days grows, along with a few trips to odd parts of the British Isles for photos of related equipment or seemingly innocuous bits of concrete in some cases!  Still, it keeps me quiet.

Christmas saw the first get together for more years than we thought of all my friends I made doing the photography course at Sheffield College, and who did a pair of Coast to Coast photo shoots with after that.  We’ve all done bits and bats in between times, though our lecturer has now finally retired permanently and he’s now had one of his paintings permanently hung in a local gallery, which was great news.

Aside from trying to assemble material for another book, my journey back to film photography continues, with unexpected results in one instance, as can be seen if you look in Analog Days.  The latest and probably last purchase on the 35mm compact front arrived this week and I’ve finally succumbed to bringing back an old friend for I think the third time!  An Olympus XA rangefinder.  The electronics can be a little wayward, hence a profusion of them listed as “spares or repair” on eBay, which usually means stripped for spares, as there’s a couple of components which, unsurprisingly  after 40 years since they left production, are no longer available.  There’s a few other quirks too and people try selling or at least listing  XA2 or XA3 as XA, but for me the original rangefinder model with aperture control is the best.  The big draw is the lens,  it’s typical Olympus of the time, sharp, plus they’re so pocketable and better still in my case, you can’t lose the lens cap, the cover just slides across to shut down the camera and cover the lens.  Sadly despite it coming with the matching A11 flash, that doesn’t appear to work, but it was the camera itself that matters to me.  A dedicated pre-cut set of light seals are now winging their way from Japan, courtesy Aki-Ashai Camera Coverings my favourite source for seals and new skins for film and some digital bodies. Once fitted I’ll run a film through it and post the results on Analog Days.

 

Olympus XA 35mm rangefinder compact camera
A pocketable beauty

Winter Is Coming

I had a welcome surprise pop into my inbox the other day,  “you’ve been paid”  and for a change it wasn’t something I’d sold on eBay, but from book sales!  Up to that point,  Vol.1 had sold 71 copies apparently, which is about 70 more than I expected, but a long way to go before sales have covered costs for image rights, reference material, admission costs and travel.

I’ve also had some appreciative comments back from people I know who’ve read Vol.1 , “fascinating” from someone who’s not an aircraft buff was nice,  “you’ve got all the aircraft in frame and not chopped bits off” from my ex-RAF mate who goes round taking photos of fire engines…. was also big compliment.  Whilst “how do you know so much” was also nice but funny at the same time. Seeing as I’ve been reading about aircraft for 50 odd years,  I’ve hopefully absorbed a bit,  but it was amusing in that when you’re writing a book liable to be read by others with a love of minutiae shall we say, you have to be right with dates, figures and basically everything.  As a result,  I’d had what I thought I knew corrected by my research on numerous occasions.  So every day really can be a school day.

Still no more news on Vol.2, though my rewrite is done and it’s time to go through the photos and make sure all the captions are correct, as well as ensuring where they sit in the text meets the words to pictures guidelines set by the publishers.  However, what’s really bad about having time to go back through your work a few times is that it has a nasty habit of growing in volume.   It has been handy in parts I admit,  as I’ve managed to flesh out a couple of aircraft with more info than I had, but when you start adding more, especially when it’s already the longest chapter, not so good.

Recent movements between museums also meant I decided to add an addendum to Vol.1. at the end of Vol.2.  One of these I really could have done with about 2 years earlier and it will also result in me making a trip back to Brooklands museum to see it!   The Hawker P.1121 was never finished,  work on a prototype had got as far as a most of the front end and engine intakes before it got cancelled in 1957 and the RAF Museum has had the remains hidden in storage for about 60 years!  So the fact that it’s actually  going to be restored and displayed, as opposed to scrapped which it would seem it escaped a few times, is excellent news.  Why so you may ask?  There’s an old adage in aircraft circles, “if it looks right, it is right”  and this looked the business for 1957!  It’s one that really should have been completed and flown, even though there was never an official order for it,  just to see if it was as good as it both looked and performed anything like the specs on paper.  If it had performed as expected, theres a good chance the whole shape of the RAF frontline after 1960 would have been totally different.

Model of P.1121
What could have been. How the still unnamed P.1121 could have looked in RAF colours.

The photograph of the P.1121 model is from a trip I took back in July to the De Havilland Museum near London.  Their connection to the aircraft is the engine, the De Havilland Gyron, which for a time was the most powerful turbojet built.  The cancellation of the aircraft also led to the cancellation of. the engine as no other designs had it pencilled in as a powerplant.  Its smaller offspring, the Gyron Junior powered the Mk.1 Buccaneer but it was drastically underpowered for the naval carrier role and fairly quickly replaced by the RR Spey in the Mk.2.

DH Gyron and Gyron Junior jet engines
On the left the Gyron, on the right, Gyron Junior. Pretty obvious why!

At the same time as finishing Vol.2 off, I’ve also been building a stock of reference material and links for, not so much a follow up, but lets say what’s looking like another one.  I’d  actually got more resources and references on hand than I thought I had, which has saved me time and money,  whilst the new material hasn’t as yet cost the earth.  I’ve also discovered a few places to visit for photos, which is a bonus as there’s liable to be big gaps in images across the subject in general.  But what’s increasingly obvious is  it will cost in time, lots of it, digging through it all and piecing the bits together to form the path to where I want to take it.   It’s a good job winter is coming.

 

We’re On!

Prompted by the arrival, finally, of an invoice to use my images from one of the major museums,  before paying up I enquired if Volume 2 was going ahead, as it had all gone a bit quiet shall we say.   But I’m happy to report it’s a goer and I can pay the bill, better still because they didn’t send it in time for Volume 1 and I didn’t use any images of their aircraft as a result, it’s saved my £50!

Seeing as sorting out the cover image last time took a bit more of an effort than I certainly anticipated, I’ve started the ball rolling for that, basically because if we get one certain aircraft on the front, people will buy the book simply because they think it’s something new, when in truth I doubt anything more could be said about this aircraft that’s not already been said; TSR2.

There’s probably been more words and hot air expended talking about this aircraft since its cancellation in 1965 than all the rest put together, and unlike some of the others mentioned in the books, at least this one flew!   Why this is..you’ll need to buy the book!  🙂

Luckily for me, I’m already about two-thirds the way through a bit of a re-write to Volume 2, the source materials have been rechecked, so my dates are definitely right and I’ve made sure I’m writing something that makes sense to potential readers and not just me.  This will hopefully save me a great deal of time once the proof reader gets hold of my ramblings, unlike last time…  There’s no timeframe for a release yet, so could be this year, might be two years, not a clue, I’m just happy it’s going ahead, though it would have seemed a little odd publishing one volume without the other.

Thing is, once it’s all over,  there’s definitely still something of an itch it would be nice to scratch: “what next”?  I have toyed with a few ideas, though one would entail spending weeks digging through public records at Kew, because what I’m interested in hasn’t been digitised, so I can’t access it online.  Much as I fancy doing it, especially as there’s no book on the subject available, I don’t think the bank balance could withstand London hotel prices for a month.

 

BAC TSR2 aircraft.
So near, yet so far! One of only two survivors. The only one to fly along with the one scheduled to fly on the day of cancellation, plus five others all scrapped one way and another.

 

 

 

It Lives!

As advertised, the author’s copies of my book have arrived!   In a way it’s a bit disappointing, as it’s taken considerably longer than first thought or even suggested by the publishers (by about 3 years!)  to get to this point and consequently, the person who would likely have been the proudest is no longer around to see it.  But I could say that about a couple of other people as well, but that’s how life goes.

So now, I just need people to buy the darn thing!  I might then recoup my costs paying for image rights for a start, but I’ve no idea as yet when it hits the shelves, nor where.  You’d hope they supply the shops attached to most aircraft museums, being an ideal audience and all, but I certainly don’t recall seeing any by this publisher in the likes of Waterstones or W H Smiths for that matter, so most likely online orders only direct from Key Publishing or specialist aircraft bookshops.

Available Here!

https://shop.keypublishing.com/collections/aviation-books

It’s been a struggle at times, for more reasons than one, frustrating at others, especially the final 6 or so months sorting out the image rights, but it’s actually here and I still don’t quite believe I’ve done it.    Volume 2 is basically done from my side, certainly my photos are, but it will doubtless need a trip or four through the proofreader process before I can say the text is done.  Image rights for my photos are all done bar one and I’m expecting the invoice for that shortly, but doubtless it will be Key Publishing telling me a couple of their images I wanted to use, I actually can’t and then sorting out alternatives.  Maybe, just maybe, it might be done and dusted by the end of the year.

Would I do it again….I wouldn’t be averse, trouble is I don’t have another stack of photos laying around to use as a starting point and you wouldn’t be surprised to hear that more famous authors (in the aircraft field at any rate) have already done an excellent job covering a similar topic for aircraft in France, Germany and Italy; so there goes my European tour!  The other problem is most aircraft or military history topics, including one or two that I definitely have a thing about, have been done to death or at least well covered previously and a part timer like me isn’t likely to do a better job.  We shall see.

 

My camera surrounded by my authors copies of my book.
Finally here, Volume 1 in the flesh, well, paper at least.

Black and White

Volume 1 has gone to the printers!

After a quick re-jig with three images for the usual reason, even after Key Publishing contacted those concerned as I was getting nowhere.  So we have some choice photos from a couple of image libraries just to get the job done and the thing put to bed.  Sadly it’s going to lack a few un-submitted edits, and I did ask, now if there’s ever a reprint….Ha.  I’m told the  books will be back by the end of next month.

As to Vol 2,  nothing’s been said yet, but the original contract was for two volumes so we’ll see.  That I think it will sell more  simply because TSR2 is in it, that some people will buy anything with this in is beside the point.  Though it also means the people would wouldn’t get back to us so we could finish Vol 1 will have to be sorted, as they have one of only two surviving and it would be nice to include my photo of it.  Might even call in and knock on a few doors in the meantime!

A trip to Stamford in a week’s time to meet up with a my fellow ex-RAF Harrier engineers will be a good start to what should be an exciting month, as the week after it’s off to LHR (That’s London Heathrow to the uninitiated) for a flight to MIA, a week in the Florida Keys, a week “doing Disney” (again…) and flight back from MCO (look them up!) by which time I might finally get to see my name and photos in book form.  Unfortunately, work are dragging everyone on our team to Birmingham for a planning meeting the day I break up;  brain checked out you’d think?  No,  probably more a case of making a point in no uncertain terms and still having a job to come back to!

Which means, unless something exciting, interesting or miraculous occurs in the next couple of weeks, the next update should see a photo of Volume 1 in physical form,  being proudly held aloft by a me shaped lobster.

Glass of Ottakring lager
Cheers all!

Not quite there.

We’re still struggling to get the book over the line and it’s still image rights causing me grief.

The never actually built Hawker P.1154 has a number of artists impressions floating around the net, but the image I wanted was of the wooden mockup built at Dunsfold.  That’s been around years, it’s even in the book that sewed the seed for this whole things, Derek Wood’s “Project Cancelled” from 1975.  We’ve now found who actually owns the rights to the image and the publishers are in negotiations shall we say, it’s that or one of the artist’s impressions they’ve previously published in Aeroplane.

Of all things, the other aircraft causing trouble, is the original pointy nosed Sea Harrier FRS.1 that gained fame in the Falklands.  I omitted taking any shots of the one at Yeovilton back on 2015, well before this project materialised in my head,  and little did I realise that it’ s the only one in a museum!  The simple reason for that is virtually all the rest   were upgraded into the FA.2 spec which saw out Harrier service with the RN until 2010.

The photo I chose originally I think is Crown Copyright,  I’m not sure the publisher knew that either.  I was asked to look on Getty Images and yes, I found one I liked, but I don’t like what they charge for the privilege!  As with the  P.1154,  it’s over to the publishers to sort.

Hopefully,  I get the final proof back in time to get the thing published for June, but it might be tight….

There’s another instalment of Compact Diaries this week and another page starts a section on film photography.  Good for your insomnia if nothing else.

Meanwhile, here’s another photo from our trip to Vienna.  Doesn’t matter how many times I do this, it’s still magical.  I’ve certainly had worse Sunday mornings!

Aircraft wing and clouds
Above the clouds.

Sprint Finish?

After seemingly make no progress for weeks if not months, we now have a flurry of activity!    I’ve finally seen my text and photographs with captions combined with the archive photos I chose united into a whole,  so it’s actually starting to look like a book at again.  I say again as my original version created in Apple Pages had the photos added as I went along, and before enquiring if it was worth publishing “properly” its this version that would have been printed at somewhere like Blurb Books.

The front and back covers have been chosen, sadly because most of the photos I’ve taken of the development aircraft are indoors, they’re not suitable for the cover, as it makes it hard to merge the photo into the text for the name etc.  Hmm.  But I’m on the back cover at least and as Vol 2 has yet to go through the same process, I might be able to do something about it, but need some serious ducks to fall in line first, none of which I have control of.

The text has been proofread and gone back and forth to the publishers a couple of times as a result of changes needed for one reason or another,  duplicate photos and mixed up captions for a start. But the one question I still don’t have an answer for is…when will it be finished and the hordes clamouring for signed copies can be sated.  OK, that’s about four people , but it would be nice to know and ideally be ready in time to take a copy to show a group of special friends and say “look, I’ve finally done it!”

The Nikon Z fc has been on a little jaunt with me to Vienna and passed with flying colours, in terms of photo quality and usability, but with one caveat, it needs the sensor cleaning!  Virtually invisible to the naked eye if you look at the sensor, but there on every photo was a dot or two in exactly the same place every time.  Despite cleaning lenses, filters and deft use of my rocket blower on the sensor itself,  it stubbornly remained, so the camera is now at Harrisons in Sheffield for specialist cleaning.  I also discovered a tiny hair in the standard kit lens which only occasionally causes problems, but if it can’t be removed by deft use of a vacuum cleaner (I kid you not) the lens will have to go; I can do without having to use healing tool in Adobe Lightroom on every other shot.

A woman stands next to a monument and catches the afternoon sun.
No idea who she was, but she stood next to the stonework of the Gloriette, part of Schonbrunn Palace and was catching the late afternoon sun.

All Change

There was going to be a whole new look and feel to the website today, brought on by changing the company who hosted the old pages for years, to a new one which will hopefully be a bit cheaper, but no less reliable.  I say was, because after making the change last night, seemingly failing to import the old site via the provided links and starting again to rebuild it, even managing to import the blog text into a single archive page,  in the midst of more editing this morning I came to a crashing halt.

The web page demanded I log on again,  all last night’s work had vanished and then in the next breath, the old site reappeared!  I don’t know whether to laugh or cry!  So it’s as you were, but I’ll look at re-jigging things and add a bit more content anyway.

Book production is moving along, all my images have finally gone to the publishers, my captions have had an edit, some of the archive images I wanted to use I’ve had to replace as they weren’t actually copyright to the publishers, whilst a few more they’re trying to find.  All this because my new editor wants the book into the design phase, which sounds good to me.   I’ve said if possible, I’d like Volume 1 published in time for the next Harrier Engineers Reunion which is in June, so we shall see.

On the camera front and despite my ramblings about weight and lenses and whatever,  all the Micro Four Thirds kit has departed once again and I’m all Nikon.  The Z fc is so good to use it was always a keeper and the results are noticeably better than the GX9,  that it made sense to keep that, have one lens mount to support and keep an eye out for more affordable third party lenses arriving.  Should I have kept the GX9 and disposed of the Z5, I’d have laid good odds that I’d have regretted it seconds after I’d handed it over in the post office and been after a replacement.

Nikon Z fc digital camera
The Z fc, looking suitably retro with its leather half-case.